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Conference paper, “Operatic Fantasies in Nineteenth-Century Psychiatry,” annual meeting, American Musicological Society, Rochester, November 2017

Invited talk, “Hector Berlioz’s Neurophysiological Imagination,” Longroom Hub, Trinity College Dublin, March 21, 2017

Reading group presentation, “Hector Berlioz’s Neurophysiological Imagination,” Music in London, 1800-1851 Project (dir. Roger Parker), Kings College London, March 16, 2017

Conference paper, “Cognition in Scottish Common Sense Music Theory,” Science in the Scottish Enlightenment Conference, the Center for the Study of Scottish Philosophy, Princeton Theological Seminary, March 11, 2017

Invited talk, “Hector Berlioz’s Neurophysiological Imagination,” Research hearing of the Max-Planck-Gesellschaft, Berlin, Feb 15, 2017

Colloquium lecture, “Operatic Fantasies in Nineteenth-Century Psychiatry,” Bar Ilan University Departmental Colloquium Series, January 3, 2017

Invited Talk, “Hector Berlioz’s Neurophysiological Imagination,” Department of Music, Mason Gross School of the Arts at Rutgers University, November 21, 2016

Invited talk, “Operatic Fantasies in Nineteenth-Century Psychiatry,” Columbia Society of Fellows Thursday Lecture Series, November 10, 2016

Conference paper, “Anne Young’s ‘Musical Games’ (1801): Music Theory, Gender, and Game Design,” special session sponsored by the Ludomusicology Study Group, annual meeting, American Musicological Society, Vancouver, November 2016

Colloquium lecture, “Embodiment and Spectatorship: Theorizing an Ideal Romantic Listener,” La Société d’Histoire du Théâtre, Université Paris 8, October 19, 2016

Invited presentation, “Music, Theater, and the Moral Treatment: the Casi Dei Matti of Aversa and Palermo,” Workshop on Italian Music and the Medical Sciences in the Nineteenth-Century, Maison de l’Italie, Cité internationale, Paris, October 21, 2016

Conference paper, “Operatic Fantasies in Early Nineteenth-Century Psychiatry,” 19th Biennial International Conference on 19th-Century Music, University of Oxford, July 13, 2016

Invited talk, “From Baboons to Automata: Some Historical Approaches to Music and Embodied Cognition,” The Center for Science and Society, Columbia University, February 11, 2016

Conference paper, “Hector Berlioz’s Neurophysiological Imagination,”annual meeting of the American Musicological Society, Louisville, Kentucky, November 2015

Conference paper, “Attention and Perception in Scottish Common Sense Music Theory," annual meeting of the Society for Music Theory, St. Louis, Missouri, October 2015

Invited talk, “Hector Berlioz's Neurophysiological Imagination,” Columbia Society of Fellows Thursday Lecture Series, October 22, 2015

Conference paper, “The Keyboard of Ideas: Musical Performance in Enlightenment Accounts of the Self,” Forte/Piano Festival, Westfield Center for Historical Keyboard Studies, Cornell University, August 8, 2015

Conference paper, “Hector Berlioz’s Neurophysiological Imagination,” annual meeting of the International Society for the History of Neurosciences, Washington, DC, June 3, 2015

Conference paper, “Attention and Perception in Scottish Common Sense Music Theory,” Annual Conference, Royal Music Association’s Music & Philosophy Study Group, King’s College, London, July 17, 2015

Conference paper, “Attention and Perception in Scottish Common Sense Music Theory” 10th Biennial Conference on Music in 19th-Century Britain, Royal Conservatoire of Scotland, Glasgow, July 8, 2015

Conference paper, “Cognition in Scottish Common Sense Music Theory, 1770-1801,” 30th Annual Meeting, New England Conference of Music Theorists, Boston University, April 2015

Conference paper, “Cognition in Scottish Common Sense Music Theory, 1770-1801,” 13th Annual Meeting, Music Theory Society of the Mid-Atlantic, Princeton, March 2015

Invited presentation, “Séances and Self-Playing Accordions: Musical Instruments in Victorian Spiritualism.” Workshop on Sonic Spaces: Music and Visual Culture in Nineteenth-Century London, Yale / King’s College London “Music in London” Research Project, March 2015

Conference paper, “‘The Expressive Organ Within Us:’ Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves,” Annual Conference, History of Science Society, Chicago, November 9, 2014

Conference paper, Invited presentation, “Hector Berlioz’s Neurophysiological Imagination,” Holmes Workshop Series, Department of the History of Science and Medicine, Yale University, October 27, 2014

Conference paper, “‘The Expressive Organ Within Us:’ Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves,” Annual Conference, International Society for the History of Neurosciences, Palais des Académies, Brussels, July 2, 2014

Conference paper, “‘The Expressive Organ Within Us:’ Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves,” Annual Conference, 18th Biennial International Conference on 19th-Century Music, University of Toronto, June 20, 2014

Conference paper, “‘The Expressive Organ Within Us:’ Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves,” Bone Flute to Auto-Tune: A Conference on Music & Technology in History, Theory and Practice, University of California, Berkeley, April 24, 2014

Departmental talk, “‘The Expressive Organ Within Us:’ Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves,” Yale Music Department's Works in Progress series, April 14, 2014

Invited keynote, “Process Polyphony, Drum Rudiments, and Philippe Leroux’s De La Texture,” Contemporary Encounters Festival, Tel-Aviv, January, 2014

Conference paper, “Hector Berlioz und die musikästethischen Implikationen romantischer Neurowissenschaft,” 13. Jahreskongress der Gesellschaft für Musiktheorie, Hochschule für Musik und Theater, Rostock, October 6, 2013

Invited speaker, Israel Composer’s Association Colloquium, “Between Composition and Improvisation,” Haifa University, November 2013

Departmental talk,“Hector Berlioz and Some Music-Aesthetic Implications of Neuroscience in the Romantic Era,” Yale Music Department's Works in Progress series, September 26, 2013

Conference paper,“Hector Berlioz and Some Music-Aesthetic Implications of Neuroscience in the Romantic Era,” Conference on Cognition and Poetics, Universität Osnabrück, April 2013

Conference paper, “Hector Berlioz and Some Music-Aesthetic Implications of Neuroscience in the Romantic Era,” Conference on Imagining Sound in the Early Nineteenth Century, Cornell University, April 6, 2012

Conference paper, “From Trinidad to Cyberspace: Reconsidering Toch’s Geographical Fugue” Conference on Music: Cognition, Technology, Society, Cornell University, May 12, 2012

Conference paper, “Songs of a Land: Arrangements of Shirei Eretz Israel as Expressions of the Shifting Politics of Israeli Identity,” Art Musics of Israel: Identities, Ideologies, Influences, School of Oriental and African Studies (SOAS), London, March 30, 2011